Technology

The recording equipment is constituted in such a way that all musical combinations, from the solo instrument to the full orchestra, can be recorded in stereo or surround sound to 96 kHz 32 bit for all current media (CD, SACD or Pure Audio Blu-Ray) with mobile multitrack equipment. In my selection of equipment and especially of microphones and their preamplifiers I pursue the goal of capacity for the recording of the playing and sound characteristics of the artists without distortion and with high authenticity in relation to the original sound. Therefore, I have long operated with the equipment indicated below but am also happy at any time to take special wishes into consideration and, if necessary, to complement this equipment to meet current demands.

Selections from the recording equipment:

Microphones:

  • Neumann (KM 100 Serie, KM180 Serie, TLM 127 Großmembran)
  • Brüel & Kjaer (DPA 4006 Kugel)
  • Schoeps
  • Line Audio
  • AKG (CK94)

Preamplifiers:

  • Lake People Empa V26
  • Lake People F366
  • Studer

Converter:

  • DirectOut Technologies Andiamo (MADI)
  • RME ADI8 DS ( bis 96kHz )
  • RME Madiface XT (MADI)
  • DirectOut Technologies Split Converter (MADI)

Mixing Consoles:

  • Studer 961
  • Tascam DM3200
  • Yamaha

Recorder:

  • Genex GX 8000 ( bis 24bit 48kHz )
  • DAW Magix Sequoia ( bis 32bit 96kHz, 46 Tracks )

Monitoring:

  • Quad ESL 63
  • B&W Nautilus 803 (Surroundmonitoring)
  • Neumann KH120

Postproduction:

  • Magix Sequoia V.14
  • Altiverb 7
  • Lexicon Reverb